This is the first in a series of works I have started where I go to public spaces, some obvious some obscure, and create a piece of music using the objects and natural resonations of the chosen spaces that I feel represent each individual space and my experience of it.
I chose the flood tunnels underneath the Bridge of Dee because it has always intrigued me as a space, the long damp chambers interconnecting, twisting, a labyrinth hidden under the foundations of Aberdeen city. As with all spaces of this nature it remains unoccupied: both humans and animals aware of the dangers when the rivers tide is high. Yet it still has an aura of activity, a life not of the conventional city scape, a calm activity, a soft touch. The tunnels had a fluid ambience, the echos drifting through the space subtlety caressing the hard walls always dwindling before escaping from the cold caverns.